Issue № 12 / 2022
| Issue № 12 / 2022 | ||
| Title page | ||
| Content | ||
| Avksentieva H. A. | POSTMODERNISM AS A STYLE TREND AND INDIVIDUAL CREATIVE METHOD OF JOHN BARTH’S | |
| Artemova L. V. | THE PERSUASIVITY OF THE AUTHOR’S “I” IN THE COLUMNIST OF JAVIER MARIAS (BASED ON THE MATERIAL OF THE SPANISH PERIODICAL “EL PAÍS SEMANAL”) |
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| Babelyuk O. A., Koliasa O. V., Pavlyuk K. | LANGUAGE MEANS OF THE REPRESENTATION OF THE IMAGE OF UKRAINE IN THE ENGLISH MEDIA: A TRANSLATION PERSPECTIVE | |
| Boiko V. V. | LITERARY TRANSFORMATION OF AFFECT IN THE STORY OF TODOS OSMACHKA “ROTUNDA OF MURDERS” | |
| Boiko Ya. V. | STRATEGIES AND TACTICS OF UKRAINIAN RETRANSLATIONS OF SHAKESPEARE’S PLAYS IN THE LIGHT OF NOTIONAL COGNITIVE VARIANCE | |
| Demyanchuk Yu. I., Levkiv O. I. | TRANSPOSITION OF THE LEXICO-SEMANTIC OPPOSITION EMPTY/FULL IN THE ASPECT OF CORPUS TRANSLATION | |
| Demyanchuk Yu. I., Onofriichuk Yu. V. | MEANING OF THE CONCEPT “REMARK” IN ENGLISH LANGUAGE CULTURE | |
| Dunieva O. I. | “DEATH” THROUGH THE PRISM OF POSTIRONY (ON THE MATERIAL OF THE TERRY PRATCHETT’S BOOK SERIES “DISCWORLD”) | |
| Ievlanova O. O. | GENRE STRATIFICATION OF PRESIDENTIAL POLITICAL DISCOURSE | |
| Zhurba S. S., Zhurbenko A. A. | TRANSCODING A LITERARY WORK BY CINEMA MEDIA: THE NOVEL “VOROSHILOVGRAD” BY SERGI ZHADANA – THE FILM “WILD FIELD” | |
| Ivanchenko M. Yu., Zanovyak Ya. Ya. | GRAMMATICAL ASPECTS OF LITERARY TRANSLATION (BASED ON THE STORY OF C. MOEM “A FRIEND IN DISTRESS”) | |
| Ishchenko N. A., Orlova A. V. | THE GENRE OF CONCENTRATION CAMP LITERATURE AND THE HOLOCAUST | |
| Karp M. A., Oliiarnyk I. V. | STANDARDS OF TEXTUALITY IN THE NOVEL “THE JOY LUCK CLUB” BY AMY TAN | |
| Kivenko I. O. | FELICITY CONDITIONS ON APOLOGY SPEECH ACT REALIZATION | |
| Koliasa O. V., Koval N., Shostak U. | REALIA AS A REPRESENTATION FEATURE OF ENGLISH TOURISM TEXTS | |
| Kuchma T. V. | THE CULINARY TERMS OF THE FAIRY-TALE “THE LITTLE WATER SPRITE” BY O. PREUΒLER AND THEIR TRANSLATIONS IN UKRAINIAN LANGUAGE | |
| Lukash N. M., Pedchenko S. O. | LINGUAL MEANS OF THE LITERARY TEXT EXPRESSIVENESS (ON THE BASE OF THE NOVEL “DIARY OF AN EXECUTED WOMAN”) | |
| Merkulova O. V., Prykhodko I. M. | NAMES OF THE HEAD AND ITS PARTS IN THE UKRAINIAN LANGUAGE (XI – FIRST THIRD OF XX CENTURIES) | |
| Mlynchyk A. V., Kokkina L. R., Shvedenko A. Ye. | THE FUNCTIONING OF CONCEPTUAL METAPHOR IN FRENCH AND UKRAINIAN ADVERTISING DISCOURSES | |
| Moskalyuk O. V., Shapoval A. S., Yukhimets S. Yu. | VARIABILITY IN THE TRANSLATION OF ALLUSIONS IN THE TITLE OF A LITERARY AND CINEMATOGRAPHIC WORKS | |
| Palchevska O. S., Malanyuk M. S., Salamin N. A. | GRAMMATICAL ASPECTS OF THE POPULAR SCIENTIFIC ARTICLE TRANSLATION INTO THE UKRAINIAN LANGUAGE | |
| Rafaliuk V. V. | SPECIFICITIES OF POLITICAL TEXTS ABOUT RUSSIAN MILITARY AGGRESSION AGAINST UKRAINE | |
| Tuhai O. M. | CONSTITUENT ORDER IN SENTENCES OF CONCESSION: OLD ENGLISH VS OLD HIGH GERMAN | |
| Farman J. Ramazan | METHODOLOGICAL ASSUMPTIONS OF REVEALING AGATHA CHRISTIE’S IDIOSTYLE PATTERN | |
| Filiuk L. M. | CONTENT ANALYSIS OF DEFINITIONS OF THE CONCEPT “PROFESSIONAL IMAGE” | |
| Yalovenko O. V. | “CHIMMOKU” AS A SILENCE CONCEPT IN JHUMPA LAHIRI’S SELECTED STORIES |
